the Awakening of Thor
Thor: Ragnarok tells a story of Thor's desperate efforts to return home, but it really has no effect on his character, psychology, and character evolution. The most profound revelation, and the inspiration that drives him the most, came from his father.
In the important moments of Thor's outbreak in this film, he thinks of his father. His father gave him the encouragement of his love and made him successful. This is not a story of Thor's growth, it's just the awakening of the character who was born with, accompanied by a song to make the little boys scream.
Thor ignored his sister's words, and Thor was indifferent to his father's bad history. Originally everyone should be complex and multi-faceted, but the movie doesn't care, Hela is a ruthless female anti-human (huh?), and Thor is a well-behaved boy. If they can make the score explode, then what are these "filmmakers" going to pursue? Naturally satisfied with the moment, producing more colorful jokes.
The Marvel Comic Universe handles all the stories of bitterness, deep thinking, and teaching people's sense of responsibility in a juvenile comic style, full of brilliant colors, dazzling (but average) fights, and three jokes every minute. Crucial moments are often fooled into the past in very pale or hilarious ways. Characters are usually built with characters - so these superheroes are the least realistic kind, at least not for me, and every move they make reminds me that they are different from me. Boys now watch Marvel movies and want to become superheroes, probably because of "cool", the way of shooting that makes them unaware of the sense of responsibility and pain that comes with it.
The Marvel Comic Universe doesn't abide by itself the standards of cinema. Today it just produces pretty standardly, pleasing movies enough to satisfy over 70% of the audience. However, the early Marvel movies were all "hand-made", and the producers thought they were making movies, so their works included convincing characters arc and stories that really touched people's hearts instead of exaggerating scenes and telling jokes.
When I was watching <Spider-Man>, I was also about 10 years old, the age when the heroic dream broke out. What impresses me is not those super-handsome scenes, but the death of Uncle Ben, the hardships of Peter and his aunt being made trouble by the bank, the sadness of his girlfriend running away with others, and the good brother turning into a villain; "With great responsibility" is not just a line, because I remember the whole story and how I felt at the time, so I understand it (I think it's quite enough).
MCUs have a hard time doing this. It doesn't have a moment that hits the heart and makes people feel. It may have had countless opportunities, but those opportunities all came to nothing in the comics halfway through the Civil War, in all the movie's gigantic jokes.
In the important moments of Thor's outbreak in this film, he thinks of his father. His father gave him the encouragement of his love and made him successful. This is not a story of Thor's growth, it's just the awakening of the character who was born with, accompanied by a song to make the little boys scream.
Thor ignored his sister's words, and Thor was indifferent to his father's bad history. Originally everyone should be complex and multi-faceted, but the movie doesn't care, Hela is a ruthless female anti-human (huh?), and Thor is a well-behaved boy. If they can make the score explode, then what are these "filmmakers" going to pursue? Naturally satisfied with the moment, producing more colorful jokes.
The Marvel Comic Universe handles all the stories of bitterness, deep thinking, and teaching people's sense of responsibility in a juvenile comic style, full of brilliant colors, dazzling (but average) fights, and three jokes every minute. Crucial moments are often fooled into the past in very pale or hilarious ways. Characters are usually built with characters - so these superheroes are the least realistic kind, at least not for me, and every move they make reminds me that they are different from me. Boys now watch Marvel movies and want to become superheroes, probably because of "cool", the way of shooting that makes them unaware of the sense of responsibility and pain that comes with it.
The Marvel Comic Universe doesn't abide by itself the standards of cinema. Today it just produces pretty standardly, pleasing movies enough to satisfy over 70% of the audience. However, the early Marvel movies were all "hand-made", and the producers thought they were making movies, so their works included convincing characters arc and stories that really touched people's hearts instead of exaggerating scenes and telling jokes.
When I was watching <Spider-Man>, I was also about 10 years old, the age when the heroic dream broke out. What impresses me is not those super-handsome scenes, but the death of Uncle Ben, the hardships of Peter and his aunt being made trouble by the bank, the sadness of his girlfriend running away with others, and the good brother turning into a villain; "With great responsibility" is not just a line, because I remember the whole story and how I felt at the time, so I understand it (I think it's quite enough).
MCUs have a hard time doing this. It doesn't have a moment that hits the heart and makes people feel. It may have had countless opportunities, but those opportunities all came to nothing in the comics halfway through the Civil War, in all the movie's gigantic jokes.